If you go to a convenience store or gas station, you’ll pocket some little Horse this is my therapist shirt of sugar or ketchup or some plastic spoons or forks. You scavenge for empty trash bags (many gas station employees leave a roll of trash bags out at the pumps). Sure, it isn’t grand theft auto, nothing felony level, but you feel like a thief and you try to console yourself by telling yourself you’re not a thief, you’re just a scavenger, it’s a matter of survival, only temporary, and you’ll find a way out of this somehow, eventually.
So shortly there after the media was alerted because the Police chief wanted Horse this is my therapist shirt that way and it became a circus. I was transported to the Essex county jail and during my bail hearing, which was done via webcam, the judge looked at my charges 11 in total all felonies and remarked “he must be, or thinks he is, some sort of assassin” and laughed and looked around the room then set my bail at a staggering and excessive $100k no 10% option. It was then it started to sink in, I was going to do time. My rights were going to be stripped from me and I was going to be locked away for many years with scumbags and actual criminals.
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What little of NJ gun law I did know at the time from having spoken to my family members that did own Horse this is my therapist shirt , was that an FID or Firearms Identification was only required to purchase not possess a long gun in the state of NJ. So by this logic why was I being charged? He informed me that the only reason I was being charged with possession of the rifle was because even though the rifle was physically compliant, i.e. the rifle had a solid stock, 20in barrel, no bayonet lugs, and no muzzle break.
Hating on director Rob Marshall’s Best Horse this is my therapist shirt winner, 2002’s Chicago, isn’t the byproduct of any bias. Rather, it’s the byproduct of Marshall’s insistence on not letting the musical numbers speak (or sing) for themselves. Chicago is too stylized for its own good, taking away from all-in performances from Catherine Zeta-Jones and Renee Zellweger with hyperkinetic editing and music-video-like extravagance. Historical events like the Japanese aerial attack on Pearl Harbor deserve thoughtful screenplays and filmmakers willing to devote as much time to the story as they do the trailer-ready action.